《总路线》是爱森斯坦晚年极具实验性的遗珠，虽然技术受限，但其蒙太奇手法依然犀利，通过一个农场的选种失误，将集体农庄的政治运动放大为一场充满张力甚至残酷的集体心理危机。剧情的每一次转折都不仅是喜剧，更是对官僚主义和形式主义的辛辣讽刺。 如果你厌倦了常规的苏联电影，想挑战一下这种视觉冲击力极强、寓意深刻且带有强烈讽刺色彩的先锋艺术，这部作品绝对不容错过。叶夫根尼·穆尔津的表演张力十足，将一个从狂热信徒蜕变为精神崩溃的农民演绎得入木三分。如果你对政治寓言、历史批判，或是那种能把观众看得直冒冷汗的怪诞美学感兴趣，这部充满人性裂痕的黑色惊悚片绝对不容错过。剧情聚焦于拖拉机站站长科尔涅丘克，面对地方执行官员的消极对抗，展现了理想与现实激烈碰撞的戏剧张力。
Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.相关搜索：
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